Tag Archives: TV

(Star)Girl Power

[Some spoilers for Stargirl season 1 below]

When it was announced that there would be (yet) another DC superhero show, I have to admit I rolled my eyes.

I’ve watched the Arrowverse shows almost since the beginning. I missed season 1 of Arrow and caught up on Netflix before season 2. Since then I’ve watched every Arrowverse show, and have only stopped watching Supergirl (midway through season 3). I even sat through the entire first season of Batwoman, which at best was mediocre, thanks to now former series lead Ruby Rose. I have loved what Greg Berlanti & Co have done with the majority of these characters and shows. The early seasons of The Flash were great. The last few seasons of Legends of Tomorrow have been really great. But The Flash has become tiresome, and while Arrow ended strong, the road there was… bumpy. As I mentioned, I stopped watching Supergirl for a few different reasons, none of which was Melissa Benoist – I think she’s great in the role, but the show was ill-conceived, aimless and little nonsensical (yes, even for a show where Martians live among us, and an alien prison ended up crash landing on Earth).

So when I heard about DC’s Stargirl, my expectations were not high. I wasn’t even sure I could watch it, as I didn’t subscribe to DC’s streaming service DC Universe. Then I heard it would be airing on The CW and I decided to give it a shot. Since this was another Berlanti show, I thought I knew what to expect. Surprisingly, though, the show broke the mold in a few different ways.

The show starts with an epic battle between the good guys: the Justice Society of America (JSA) and the bad guys: the Injustice Society of America (ISA) – clever, right? Evil actually wins as the JSA, including Starman (Joel McHale), is defeated and its members killed. Starman’s sidekick Stripesy, aka Pat Dugan (Luke Wilson), retreats and gathers up the fallen heroes’ weapons and costumes, and escapes to fight another day. Though he doesn’t – at least not yet. At some point he has a son named Mike (Trae Romano) and moves to LA… like you do. (Full disclosure: I don’t remember if they spoke about Mike’s mom, but let’s say she died, because she’s not ever really mentioned.)

Enter Barbara Whitmore (Amy Smart), a transplant to LA from Blue Valley, Nebraska. She is a single mom with a teenage daughter named Courtney (Brec Bassinger). Pat and Barbara meet (in Blue Valley, actually), get married, and move back to Blue Valley – one big “happy” family. What they don’t know is that nefarious things are going on in the quaint little town.

Here’s where Stargirl does things differently. Courtney is not an adult. She goes to school; she probably has a curfew. This show is the first to tackle a teenage hero, and with that comes a different set of parameters. Does it make later fight scenes with actual adults a little cringe-inducing? Yes. But Stargirl leans into that cringe – these are villains. They are dark, evil people who don’t care who gets in their way. If they have to beat up and kill a few kiddos to get what they want? So be it.

In the Arrowverse shows, the protagonist has an origin story that usually involves several other people, who end up becoming that person’s Scooby gang. There’s love, hate, super powers/skills, and the hero sometimes reluctantly takes on the role, saving lives, protecting innocents, blah blah. Oliver Queen wanted to carry out his father’s quest to right wrongs in Starling City. Barry Allen wanted to help stop meta-humans from terrorizing his city. Kara Danvers wanted to stop aliens from terrorizing her city. Kate Kane wanted to stop her homicidal twin sister from terrorizing her city.

But Courtney is chosen by Starman’s Cosmic Staff (which I refer to as Staffy, because it really needs a name). Staffy reveals itself, and its abilities – shooting bursts of energy and flight, among them – to Courtney and she excitedly decides to become a super hero. She does some research and thinks Starman is her father, for reasons, and decides she needs to avenge his death. Courtney finds and alters the Starman suit (in her new high school’s sewing class) and Stargirl is born.

Stargirl encounters Henry King (Christopher James Baker), aka ISA member Brainwave , a telepath and telekinetic, and ends up accidentally putting him in a coma after he learns her secret identity. His son Henry Jr (Jake Austin Walker) is a classmate and is involved in a sexting scandal with fellow classmate Yolanda Montez (Yvette Monreal). Yolanda sends Henry a picture and jealous girlfriend/mean girl/queen bee Cindy Burman (Meg DeLacy) sends the pic to… everyone. Yolanda is ostracized by her friends and even super religious family; she ends up befriending new girl Courtney and she recruits Yolanda to her cause by giving her the costume of JSA member Wild Cat, effectively creating a new JSA.

Turns out sociopath Cindy’s dad is also a member of the ISA – the hooded Dragon King. Cindy decides she wants to follow in daddy’s footsteps; we learn because of his experiments on his daughter, she is somewhat cybernetic. She fights Courtney but gets sidelined by her father when she goes off the rails, demanding to be a part of the ISA.

Speaking of the ISA, head honcho Jordan Mahkent, aka Icicle (Neil Jackson), returns to town to pick up where they left off, restarting Project New America, which at this point hasn’t been fully detailed to us viewers. We do know it involves mind control and six surrounding states… We also learn Barbara now works for Jordan and Jordan’s son Cameron (Hunter Sansone) is also in Courtney’s class, and a possible love interest.

Through a series of events, fellow outcasts Beth Chapel (Anjelika Washington) and Rick Tyler (Cameron Gellman) become the new JSA’s Dr Mid-Nite and Hour Man, respectively. Beth’s Dr Mid-Nite goggles are basically a supercomputer (and sometimes deus ex machina), and Rick’s hourglass pendant gives him super strength for an hour at a time. It turns out Rick’s parents were also heroes and killed by the monstrous Solomon Grundy – who even the ISA keeps locked up – and Rick is out for revenge.

The creation of the new JSA/Courtney’s own Scooby gang felt very organic, and even shows the team struggling to be superheroes. Courtney and crew stumble; Yolanda even threatens Henry Jr as Wild Cat, and in a possibly unprecedented scene, Henry immediately recognizes Yolanda – because of course he would. All too often superhero shows gloss over this bit of realism, and it was refreshing to see this play out this way.

With Pat, who now pilots a huge battle ready robot called S.T.R.I.P.E, as their mentor, the kids are now investigating the ISA, the ISA members’ kids, and trying to figure out what’s really going on in Blue Valley. Along the way there are some fights, deaths, and revelations that make this show one roller coaster ride. Mysteries are sprinkled throughout as you would expect, like the truth about Courtney’s parentage, and the creepy (or is he?) high school janitor that for some reason has a sword and possibly remembers using Staffy.

So far, Stargirl feels like a fresh superhero-show experience. The writing is quick and authentic, the action sequences and special effects are well done and satisfying, and storylines are playing out a little more realistically (dark?) than the norm: Icicle kills [spoiler] to send a message! Barbara finds out about [spoiler]! Brainwave kills [really big spoiler]! I’m anxious to see how the season wraps up, and having already been renewed for a second season (relocating solely to The CW), here’s hoping Stargirl keeps things interesting and never becomes another superhero slog.

M

The Fall TV Season – 2019

Though in recent years the concept of a “TV season” has pretty much fallen by the wayside, the traditional start of new episodes of broadcast shows has typically been in September. And while Netflix can launch Stranger Things in July, October, or whenever it feels like, really, the old networks still rely on this tried and true release schedule. Kids are back in school, the summer months give way to a chill in the air, and new episodes start airing. This fall, in addition to the return of broadcast TV, we the viewers have several new streaming services, several of which have “+” in their names, and in this era of #PeakTV, a slew of new shows on which to obsess. Here are some new and returning shows that I’m looking forward to seeing this fall.

The Mandalorian | Disney+ | November 12th
In recent years, Star Wars has become a somewhat embattled franchise. The Last Jedi debuted to mixed reviews, and the furor over new entries in the Skywalker saga has certainly seemed to wane. On the television side, animated fare such as Star Wars: Rebels has seemed to garner overall praise for expanding the canon and scope of the space opera. I’ve been a Star Wars fan though it all, and I’m looking forward to The Mandalorian, and have been since I heard it would be a Boba Fett-focused series. Nixing that particular bounty hunter in favor of a generic one, the new series aims to fill in some gaps between Return of the Jedi and The Force Awakens while telling a unique story of a guy (?) just trying to make a living in the wide galaxy of blasters and light sabers, and hopefully no midichlorians. Taking a break from the Jedi/Sith conflict seems to be a step in the right direction, and I have faith that showrunner John Favreau can finally bring a successful live-action Star Wars to the small screen.

Living With Yourself | Netflix | October 18th
It’s Paul Rudd, and… Paul Rudd?! Yes, Netflix did use that hokey credits shtick in their trailer for this new comedy. Rudd plays a man named Miles who undergoes a procedure to better himself, but ends up with a Miles clone – a clone who is better at being Miles than Miles – and hijinks undoubtedly ensue. Have we seen this premise before? Sure. Do I think Paul Rudd can bring something fresh to this concept? Absolutely. His comedic timing and ability to bring pathos and likability to his characters make this series worth a look.

Arrow/The Flash/Batwoman | The CW | Oct 15th/8th/6th
The Arrowverse is about to be shaken to its core with its version of legendary comic book tale Crisis on Infinite Earths. In the comics, Barry Allen and Kara Zor-El (aka The Flash and Supergirl) are sacrificed to save the multi-verse; however given the events of Arrow season 7 and the show’s cancellation, it’s safe to assume Green Arrow Oliver Queen will be stepping in so the other shows can continue. I’ve always enjoyed the Arrowverse crossovers – some much more than others – and this season’s seems to be the most ambitious, and will likely have the most lasting effects on the characters.

I’m hoping The Flash can shake things up a bit after last season; the villain (a woefully miscast Chris Klein) was laughable, and the writers really struggled to keep that conflict going (I mean, the heroes can only have the villain dead to rights so many times before you start rooting for the villain). Adding future kid Nora to the mix, and her relationship to a certain evil speedster was such a great idea, though again keeping up the mystery and intrigue for the whole season got tiresome. And the less said about Sherloque, the better. It seems they will split the season up into arcs, which is usually a good idea – as network TV seasons are quite long and fans (especially this one) don’t have great attention spans. I’m cautiously optimistic The Flash can catch that lightning in a bottle again.

New to the ‘verse is Batwoman, the Ruby Rose-fronted series that re-introduces the titular Gotham City heroine after her appearance in last year’s Elseworlds crossover. Though the show seems to have a similar dark tone akin to Arrow‘s first season, I’m not entirely convinced it will be unique enough to stand out from the pack. Will there be a Bat-team? Probably. Will there be young-adult soap-opera-y themes? It’s the CW. Unlike her contemporaries, Batwoman is arguably the least-known of the DC superheroes, although everyone is familiar with her cape and cowl-ed cousin. If any show or hero were to replace the departing ArrowBatwoman certainly seems to fit the bill, but time will tell.

And there is so much more! WatchmenLetterkenny, Disenchantment, FutureMan, Runaways, Always Sunny, and Silicon Valley are all on the Watch List. How can fall not be everyone’s favorite time of year?

M

My Love of FaceOff

When a reality competition show has been on for a few seasons, the viewing experience could become a little tired. Challenges become repetitive, contestants struggle, (and sometimes) overcome struggle, get praised then chewed out by the judges, go to hell and back, and ultimately one person takes home the grand prize. Yawn. How many times can we see a rocker on American Idol fail during R&B week? How many times can you listen to the judges on Chopped say that an appetizer made of goose liver, gummy worms and banana peels isn’t creative enough?

Enter FaceOff, SyFy’s “movie monster” makeup competition. Currently in its 9th season, with 2 cycles per year, special effect artists on the show are tasked with creating makeups and characters that range from angels and demons to fish people, to aliens, to whimsical Tim Burton-esque organisms. What these people can do with silicone and prosthetic noses!

Hosted by actress McKenzie Westmore (whose father, Michael Westmore is a mentor on the show and legendary Star Trek special effects artist), each week usually consists of a Foundation Challenge, a mini competition that awards immunity to the winner, and a Spotlight Challenge – the basis for which an artist is eliminated. Each challenge is unique, and tasks the artists with showing off their makeup/prosthetic/painting skills. And boy, do they!

This season, the show added Focus Challenges, which task the artists to get certain aspects of a makeup just perfect, “focusing in” on a character’s facial details, for example. Also introduced this season: The Gauntlet, a series of 3 Foundation Challenges back to back, in which the artists are scored and ranked; the lowest ranked artist is eliminated.

What the show does really well is it focuses on the actual challenge, and the artistry. It’s not (or it least it doesn’t feel) contrived; there’s no “Here are the artists at home, fighting after a long day.” It’s leave the studio, quick B-roll of a sunset, a sunrise, then back in the studio. The focus is on the artists and their talent, as it should be! Maybe they don’t fight at home; maybe they do. I don’t care, because I’m more interested in how they’re turning Bob into a crab man from Mars.

FaceOff also does social media right; viewers are encouraged during the show to talk about the artists’ creations on Twitter, but I doubt anyone really needs the reminder. The show tweets out GIFs and videos of the models’ transformations into their characters, and really tries to make it an interactive experience.

Words can’t really do the show justice; to see is to believe. While there are still reality competition shows that I really enjoy (why are there not 2 cycles of Top Chef a year?), FaceOff is just getting better, and weirder, with age.

MxM

The Last Man on Earth S2 E3

Dead Man Walking

I had hoped that every season Carol and Phil would find new people to hang out with.That route probably would have been much more interesting (and provided the chance to bring in different actors/comedians) and much more funny. Instead they find the Tuscon crew in Malibu.

After accidentally killing Gail’s lover Gordon Vanderkruik (Will Ferrell) after scaring him in the last episode, Carol and the crew hold funeral on the beach. They welcome Carol back, and she tells them Tandy (still easily the worst nickname ever) is dead, from a fall off the Grand Canyon.

The Tuscon crew doesn’t seem to care that Tandy’s dead, and honestly who could blame them? As they’re on the verge of giving him another chance, Tandy comes in waving a gun in their faces. Whenever I want people to forgive me, I apologize at gunpoint, too. /sarcasm. Tandy ends the episode in stocks (yes, like medieval stocks), and apparently he’s going to stay that way until next week. Sigh.

Quotes:

Gail: (To Carol, about Phil) Did you scare him to death, too?
Carol: Well hardy har har, Phil. You’re like a regular Brad Garrett today.
Carol: Maybe hello would have been a little less… death-causing.

Family Guy S14 E3

Guy Robot

A pretty standard episode of Family Guy. Brian becomes a stand up comic and uses Stewie’s social media feed as material. Stewie builds a robot, Lyle, as a friend. Lyle, in turn, builds some robot friends for himself and they end up bullying Stewie. Lois and Peter get a new mattress, but after Lois won’t sleep with Peter on it, he goes to get the old mattress back. Brian destroys the robots, and Peter and Lois ditch the old mattress.

Miscellany:

H. Jon Benjamin voicing Carl impersonating Bob Belcher and Sterling Archer, all in the same voice, was amazing.
Children in trench coats pretending to be adults is still funny in 2015.
Meg was only seen from behind in a cutaway and not voiced in the episode.
Peter found a thrill on Blueberry Hill.

Quotes:

Peter: (Drunk) We act like we didn’t take a lot from The Simpsons, but we took A LOT from The Simpsons.
1950’s Doctor: (Referring to Joe) All cripples are insane. Euthanize this man!
Brian: It’s done; I sprayed them with the hose.

Brooklyn Nine-Nine S3E3

Boyle’s Hunch

The phrase “The bloom is off the rose” is what I think about when watching this show this season. It’s still funny, but the 2 previous seasons were just – funnier. It’s enjoyable, but I don’t find myself laughing. This week they abandoned the “Who’s the Captain this week” gag, which I thought had a lot of potential, even though Bill Hader and Dean Winters weren’t exceptionally funny, IMO. We’ll see how and when Holt gets back to the 9-9, but hopefully they’ll have some knock-out guest stars before that happens.

Boyle meets his perfect woman – sorry, Mary Lou Henner – in Genevieve (Mary Lynn Rajskub), who is unfortunately on the wrong side of the law. He and Jake get on the case to clear her name, after making up a song to the melody (?) of Fergie’s My Humps, naturally. They prove her innocence and save the day…

Holt asks Amy to be part of the NYPD’s new positive image campaign, much to her delight and Gina’s annoyance. It fails, and he comes up with a very modern take on the very real NYPD. Gina’s reactions were the highlight of this story, and makes me want her back at the 9-9 ASAP.

Rosa and Terry try to figure out who’s stealing ice cream at the precinct; Hitchcock and Scully are the prime suspects. Hilarity doesn’t ensue.

Miscellany:

Jake gets a spider-partner with questionably funny names.
Rosa likes Moose Tracks ice cream, thanks to Marcus.
James Urbaniak (as Genevieve’s ex Nick) is everywhere these days!

Quotes:

Rosa: Step one: put a delicious pie in the fridge and cover it with poison.
Terry: That’s step one? What’s step two?
Rosa: Tell their widows they were thieves.

Gina: Because this campaign, like 3 out of 5 Backstreet Boys, is inconsequential.

Jake: If she farts in that thing, does it blow up like a balloon?

Gina: It’s tacky to take credit for stuff.

The Simpsons S27 E3

Puffless

This episode opens with a nice callback to Mrs. Bouvier’s Lover with Burns and Grampa vying for Jacqueline’s affections! Patty and Selma find out their dad actually died of lung cancer and vow to stop smoking. Selma falls off the wagon, so Patty moves in with The Simpsons – more specifically, Maggie. In the end Patty goes back to the status quo, and all is right with the world.

Meanwhile, Maggie has a special (and whimsically animated!) adventure with some animal pals. This is very reminiscent of the short before The Simpsons Movie; this time Maggie and an animal crew rescue a possum from Cletus and family. Nothing of note here, except this was the B-storyline of the episode, and perfectly fun to watch.

Miscellany/Fun:
Jon Lovitz voices a cigarette with a lonely Selma.
Homer bleaches his (and Bart’s) eyes to avoid Patty in the shower.
Spider-Pig (Harry Plopper?) returns!

Quotes:
Homer: No one out fats me!
Disco Stu: Disco Stu needs a Zoloft or two.